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By then, Ocasek was divorced and had met and wed Suzanne LaPointe, to whom he was married between 19. By then, Ocasek was married (to his first wife, Constance Campbell, in the early Sixties), and he and Orr spent several years playing around the country as a duo before Ocasek settled down in Massachusetts.
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“Sometimes I’d put together a band just to hear my songs.” On the Cleveland music scene, Ocasek met Orr, who had paid his dues in the house band of the local rock TV show Upbeat Orr eventually joined Ocasek’s group, ID Nirvana. “I thought that was the thing to do,” he told R olling S tonein 1979. During his teen years, his family moved to Cleveland, where his dad worked as a computer analyst for NASA.Īfter graduating from high school, Ocasek enrolled in two Ohio colleges, Bowling Green and Antioch, without getting a degree, and eventually turned his attention to music. “His childhood was not a good one.” He would often escape to local boardwalks, sometimes for weeks at a time, and it would be his grandmother, not his parents, who gave him his first guitar when he was about 14. “His mom drank a lot and his father was pretty cold to him,” says Porizkova. “There were a lot of things that were never discussed.”īorn Richard Theodore Otcasek in Baltimore on March 23rd, 1944, Ocasek grew up in the kind of home that can create an inwardly directed artist. “In spite of being friends with him and a collaborator for years and years, he was also in certain aspects of his life extremely private,” Hawkes says. “But if he pushed his sunglasses onto the bridge of his nose, you saw his turquoise eyes, and when he looked at you and smiled, it was like, ‘Oh my God, the sun came out!’”Įven Cars keyboardist Greg Hawkes, who met Ocasek in the early Seventies, says he never fully knew his on-and-off bandmate. “You could be intimated by him, his height and thinness and black-clad persona and sunglasses,” she says. His pop element was ‘please like me,’ and his dark lyrics were like the hurt little boy.” To outsiders, Ocasek could appear to be distanced and aloof, which Porizkova admits. “He was somebody who really wanted to be happy and really tried for happiness,” says Porizkova, “but underneath it all was a lot of pain. . . . Yet for all the joy he gave to music fans, Ocasek led a somewhat troubled life that included a difficult childhood, three marriages, and the collapse of the Cars, walking away from that band when he was at the height of his fame. “It’s not an understatement to say that my life and all the lives of the guys in Weezer would be completely different without having that connection with Ric.” Recalls Bad Religion’s Greg Graffin, “He was really encouraging. “He worked with people and changed their lives together,” says Sharp. Ocasek produced records by two generations of punk and indie acts, including Bad Religion, Guided by Voices, Suicide, Bad Brains, D Generation and Nada Surf. (Bassist Ben Orr took the lead-vocal chores on milestones like “Just What I Needed,” “Drive,” and “Let’s Go.”)Īfter the Cars breakup in 1989, Ocasek began creating his second legacy: serving as producer, champion and mentor for dozens of semi-established or up-and-coming bands. As the main songwriter and guitarist and sometime lead singer of the Cars, Ocasek (pronounced “oh-cass-ek”) mainlined the jittery ebullience of Buddy Holly and the dark punk energy of Lou Reed into the Top 40, while spiking his sleek tunes with barbed lyrics: “I needed someone to bleed,” the Cars offered on 1978’s “Just What I Needed.” “If the goal was to have great success making pop music with a sense of irony,” says Cars guitarist Elliot Easton, “then mission accomplished, right?” That was Ocasek’s voice on many of the Cars’ biggest hits-“My Best Friend’s Girl,” “You Might Think,” “Magic,” “Shake It Up,” and “You’re All I’ve Got Tonight,” all of which he also wrote. His music fit his look: sleek yet moody, charming yet detached.